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Thursday, 22 December 2016

Ok Jaanu title song: AR Rahman's immature range seems like a breath of contemporary air


Ok Jaanu title song: AR Rahman's immature range 

After the much-panned Hamma Song, the title song of Shaad Ali's Ok Jaanu looks like a breath of recent air.

Sung and composed by AR Rahman, we tend to ar glad that the Academy victory musician is loaning his voice and incomparable  talent to a young romantic comedy.


While Rahman's last Hindi film Ashutosh Gowariker's amount drama Mohenjo Daro can be 'epic' for a totally completely different reason, his contribution to a immature film transports US back to the Jaane Tu Ya Jaane atomic number 11 days.

Just like that film, the lead couple ar seen having an excellent time bonding with one another in what would be a typical fun day in South Bombay, within the Ok Jaanu title track.

The last time we tend to saw the locales of South Bombay in such a song was in Vinil Mathew's 2014 romantic comedy Hasee Toh Phasee. Siddharth Malhotra and Parineeti Chopra were seen roaming round the streets of South Bombay within the song Ishq Bulava. we tend to saw glimpses of South Bombay in Sanjay Gupta's Jazbaa however it looked therefore artificial given the peacock blue tint that's inserted so as to convert the night shoots into day scenes.

On the opposite hand, the title song of Ok Jaanu is something however artificial. the thrill shared by Hindu deity Roy Kapur and Shraddha Kapoor is infectious as they're seen sport with native trains on a motorcycle, feeding cat Hindu deity golas, attempting out dark glasses before of Chhatrapati Shivaji Terminus and inquiring for selfies before of the entry of Asian country.

To the makers' credit, even the merchandise placement of dope (if it's one within the initial place) merges swimmingly into the narrative and is employed creatively.

The lyrics of Gulzar add a lot of originality to the song. instead of resorting to pushing words down the listeners' throat, the legendary author permits Rahman to stay to the dummy lyrics or the aalap just like the dhin dhin dhinna within the chorus. This coordination between the 2 speaks volumes of their well-documented collaboration that has ranged from Mani Ratnam's Dil Se to Yash Chopra's Jab Tak Hai Jaan.

While the main target of the song is on the brighter aspect of a live-in relationship, it's a welcome modification to permit 2 veteran music personalities come back up with such a immature variety.

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